The bass sounds are great here though.but just so we don't have to keep exporting to mixcraft or Ableton, which takes a lot more technical know how, and makes your program less stand alone. I was working on a file for almost 3 hours today, and had an original file stored on my phone cause I was working in a public lab, and I should've saved frequently but didn't but then also when I tried to save it went back to my original file and blew that file away too, really bad!! Luckily, still have the original on my home PC, but these bugs with the chord data need major fixes or something, cause the program just locks up horribly with them.ģ-Also, if you just want to do octaves with no harmony, or right hand harmonization, it still can't be done with this, but seems like just having a unison bass traveling with the melody line should be a simple thing, and one much wanted, or to do just 2 contrapuntal lines there.Ĥ-maybe improvements in certain sounds like the pianos or the drums. I really love the software but let me also offer some constructive criticism to the developers here, so that your program can be improved over time:ġ-the new versions (6 and 7) with the virtual keyboard are how we actually think when improvising so this a major improvement over the earlier versions, but could it be made to work a bit faster than it does?Ģ-sometimes when you give it chord input that it doesn't understand the program crashes horribly and takes your files with it.
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Sure enough, within a few days I noticed the song had been added to a fairly popular user generated playlist (of about 50,000 followers).īefore I started this campaign, I had had about 300,000 total streams on my songs on Spotify. I ponied up the $150 for an estimated 50,000 streams. I read their brief FAQ and it seemed legit - very similar to the other playlist plugging company I interviewed (that got acquired by a label). I was a little concerned when they didn’t ask to hear my music, which seemed odd, but this company, I thought, was a hidden gem considering it was referred by such a trusted source. But one of them claimed they could get me about 50,000 streams for $150. One of them quoted me $5,000 for a 4 month campaign. I decided I would try them out and write about my experience - if I could afford it. I also heard of other playlist plugging companies that charged double or triple that and didn’t have very good success rates.Ī manager friend of mine who works at very prominent management company with bands you have heard of (hiding his name to protect the innocent), recommended a few playlist plugging companies he’s used that have worked for them. That company was acquired by a label and no longer offers their services publicly. They charged $500 for a one month campaign. +How To Get Music In Spotify Playlists I’ve been investigating Playlist Plugging companies for the past few months and just started to try some and relay my findings.įrom my How To Get Music In Spotify Playlists article I discovered a company whose founder told me that he was able to nearly guarantee 50,000 – 150,000 streams based on their playlist network. I wrote an extensive piece a couple months ago on approaches you can take to get included in Spotify playlists. Everyone wants to get included on the biggest and the best ones. Spotify playlists have been the hottest item of the past couple years or so. Well, I learned a valuable lesson this week. Why am I telling you all of this? I rarely discuss my own music because I never want my column to be about me or my music, but rather about relaying everything I’ve learned so you have the info to help your career. After 600 shows (performing in venues from living rooms to arenas), 3 full length albums, an EP, 2 live albums, about 10 singles and nearly 60 TV, film and commercial synch placements, I’m taking a hiatus on my singer/songwriter project as I prepare to launch this new funk band. But moreover it’s because I’ve been in and out of the studio the past two years working on a brand new funk project set to be released at the start of 2018. And the main reason why I haven’t released music under my own name in two years is because, well, for one I was hired to write a 450 page book - which took over a year to write. I’ve been in a weird place in my career lately. A combination of them all is typical - utilizing the social platforms where your fans exist. That content could be songs, videos, photos, Snaps, tweets, emails, texts, shows and live streams. It’s best to have a constant stream of content to satiate your fans. You can’t just release an album every three years and expect your fans will stay engaged with you when other musicians are feeding them content on a daily basis. We’re in a fast food society where people’s attention spans are shorter than ever. 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Life Leech is nerfed in Inferno with no report to players Life on Hit is modified on an ability-by-ability basis with no report to players "chance on crit" runes don't provide any info on proc chance, or ICD's if any exist certain monsters are immune to certain cc's (stuns, knockbacks, etc.) based either on type, champ/elite status, or based on which ability is used (runed Seismic versus Ground Stomp stun, for example ) no info was ever given on how bleed DoTs work (stacking, rolling, resetting.) Lack of transparency about how combat math works: Reports are coming in that many game mechanics do not work as they're reported to the players, if they're reported at all. Would love to stay and answer more questions but we also have to keep working on the game. It's after 5:00pm and we've run out of time. We’ll still try to answer as many questions as possible during our two-hour window, but please keep in mind that we may be unable to address a lot of topics beyond gameplay.Īlso, we just posted an article today regarding ( ) (that you should definitely read if you haven’t yet).Įdit: As a reminder we'll be answering questions until 5pm PDTĮdit: Thanks everybody, this was fun. We want to talk about the game with you, but we realize there are a few things we can’t really speak on. Since we’re game designers and not server engineers, artists, marketing specialists, or PR representatives, we decided to go with an AMAA over an AMA. Now that the game has launched and a lot of you have gotten a chance to play, we’re excited to talk about Diablo III and answer your most burning questions. Together, in addition to an awesome team of assorted development minions, we’re responsible for creating and iterating on the major game design elements for Diablo III, including class skills, item development, monster affixes (powers), difficulty tuning, and much more. I’m joined today by senior game designer Andrew Chambers and game director Jay Wilson. I’m Wyatt Cheng, senior technical game designer for Diablo III. (Paradigm’s portfolio of companies also includes MerusCase.) After the acquisition, another practice management product in the Paradigm portfolio, PracticePanther, launched a native e-payments feature, PantherPayments, also based on the Headnote technology. Based on Headnoteīill4Time Payments is based on the e-payments platform Headnote, which was designed specifically for lawyers and law firms to be compliant with trust-accounting and data-security requirements.īill4Time’s parent company, Paradigm, acquired Headnote last September. In addition, in conjunction with the launch, Bill4Time is offering customers who sign up for e-payments a $150 cash-back bonus. Plus, law firms that accept e-payments get paid faster and increase their collections, studies suggest.Īgainst this backdrop, the practice management platform Bill4Time is today unveiling built-in electronic payments, enabling a law firm’s clients to view invoices online and make full or partial payments electronically using credit cards or electronic checks.īill4Time Payments is available to all Bill4Time subscribers at no extra cost, except for individual payment processing fees, which Bill4Time says are the lowest in the industry. Clients who now pay everything else online have no appetite for lawyers who require paper payments. In other words, an “Opened” label guarantees that the e-mail was in fact opened, but the absence of an “Opened” label does not necessarily mean the e-mail was not opened.The pandemic has made it more essential than ever before for law firms to accept electronic payments. However, if your customer’s e-mail client does not load images automatically (which some don’t), Bill4Time will not be able to tell if the Invoice has been opened or not. We can tell when an e-mail is opened because of a tiny invisible image that is included in the e-mail when the image is loaded, Bill4Time is notified. Opened – This status indicates the email was successfully delivered and was viewed by the recipient.Īnother way to access this feature is to hover over the invoice email icon to view the Email History popup for an invoice.Īn Important Note About Open Tracking: Tracking e-mail opens is done using an image technique that is not 100% reliable.The recipient may not have seen this email, as some inboxes automatically filter spam. 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Now you can tell exactly when your client has opened their invoices, leaving you better prepared should you need to follow up on an outstanding bill. With this in mind, we’ve developed key email tracking features that eliminate the theatrics of tracking these emails and ultimately getting invoices paid. Email is a core component of the Bill4Time Client Portal, and misspelling your client’s email address or having your invoice routed into their spam folder can be a real cause of distress. Bill4Time users love the Client Portal because it saves precious time printing invoices and stuffing envelopes. Combine that with our easy online payment options, and you’ve got yourself a powerful Invoice A/R system! Its convenient to have Bill4Time automate invoice delivery and payment tracking, but as everyone who uses email knows – sometimes things just go awry. |